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Liyana Kassim

Landscape and architecture photographs, made slowly across Malaysia from a studio in Ipoh.

From Tidewater. Kuala Sepetang, Perak, 2024.
Moving image, 14 seconds, looped.

Series

Four bodies of work, made over six years, in places most people drive past on the way to somewhere else.

01

Tidewater

Fourteen dawns on the Matang coast, where the forest is half land and half sea.

Matang coast, Perak
2023 to 2024, colour, 6 plates

A narrow channel running straight into misty distance between two walls of mangrove trees at dawn
01 Channel, first hour. Kuala Sepetang, Perak, 2023.
A dense cage of grey mangrove roots rising out of smooth wet mud at low tide
02 Roots at low water. Matang, Perak, 2023.
A long wooden jetty on stilts crossing silver mudflats at dawn, one tiny figure walking along it
03 Jetty, 06:52. Kuala Gula, Perak, 2024.

02

Five-Foot Way

Shophouse fronts photographed level and square, in the half hour after the sun leaves the street.

Ipoh, Taiping and George Town
2021 to 2023, colour, 6 plates

Three old shophouse facades in faded mint, ochre and rose, shuttered windows above an arched arcade
01 Three fronts. Old Town, Ipoh, 2021.
A long shophouse walkway with repeating arches and patterned floor tiles receding into the distance
02 Arcade, morning. George Town, Penang, 2022.
Weathered blue-green timber shutters, one half open, set in a cracked pale yellow wall
03 Shutters. Old Town, Ipoh, 2021.

03

Cloud Line

Four tea ridges above 1,400 metres, and the fog that erases them one contour at a time.

Cameron Highlands, Pahang
2022 to 2024, colour, 6 plates

Rounded hills of curving tea rows fading into fog, one tiny picker on a path
01 Ridges, morning cloud. Brinchang, Pahang, 2022.
Tightly packed rows of tea bushes following the contour of a steep slope, softened by mist
03 Contour rows. Brinchang, Pahang, 2024.
A lone tall tree on a tea-covered ridge, almost lost in dense white fog
02 Tree on the crest. Ringlet, Pahang, 2023.

04

Civic

The halls, corridors and screen walls a young country built in concrete, photographed at noon.

Seremban, Ipoh, Kuantan, Kuala Lumpur
2019 to 2025, black and white, 6 plates

Black and white view of a long modernist civic hall with a folded concrete roof and slim columns
01 Assembly hall. Seremban, Negeri Sembilan, 2019.
Black and white study of a concrete breeze-block wall and its sharp geometric shadows
02 Screen wall. Ipoh, Perak, 2020.
Black and white view up a brutalist concrete stair tower with a vertical slot of windows
03 Stair tower. Kuantan, Pahang, 2021.

Prints

Every plate is printed in three sizes, in small editions, and then never again.

Pigment prints on 310 gsm cotton rag, made and signed in the studio, with a certificate that names the edition number and the size. Framed in Ipoh in oiled meranti or black-stained ash.

About

Liyana Kassim trained as an architect and spent six years drawing buildings before she started photographing them. She works with a medium format camera on a tripod, rarely makes more than three frames of anything, and returns to the same places for years.

Born in Ipoh in 1988, she still lives there, in a shophouse on the old side of the river with a darkroom on the first floor and a print studio behind it. Her work is held by two university collections and a number of private ones in Malaysia, Singapore and Japan.

She teaches a four-day landscape workshop twice a year, writes four letters a year to anyone who asks for them, and answers every email herself, usually on Thursdays.

Biography, exhibitions and process

Commissions

Two or three commissions a year, chosen for the place as much as the brief.

Architecture

Completed buildings for practices, developers and award submissions. A walk-through with the architect, then two days on site, so the building is seen in the light it was designed for.

From RM 5,800 per site day. Licence for practice use included.

Landscape and place

Long-form work on a single place for publishers, hotels and foundations. A season at the least, often longer, with a book or an exhibition at the end of it.

By proposal. Booking from April 2027.

Editorial

Assignments for magazines and newspapers on architecture, heritage and land. Short notice is fine within Perak and Penang.

Editorial day rate, RM 2,200.

Selected clients

  • Atap Merah Architects
  • Rimbun Press
  • Teduhan Hotels
  • Ruang Quarterly
  • Lantai Tujuh Studio
  • Galeri Batu Lama
  • Yayasan Kelok
  • Bilik Hijau Landscape
  • Kota Lima Developments
  • Sinar Pagi Weekend

Exhibitions, books and prizes

  • 2025Civic, solo exhibition, Galeri Batu Lama, Ipoh
  • 2024Tidewater, published as a book by Rimbun Press, 96 pages, edition of 800
  • 2024Shortlisted, Tanah Seberang Photography Prize
  • 2023Cloud Line, group exhibition, Rumah Kaca Gallery, Kuala Lumpur
  • 2022Five-Foot Way, commissioned by Yayasan Kelok for its heritage archive

Contact

[email protected]

For prints, commissions, licensing and the workshop. Replies within a week. The studio in Ipoh is open by appointment on Saturdays.

Studio
Ipoh, Perak, Malaysia
Telephone
+60 12-000 0000
Represented
Galeri Batu Lama, Ipoh

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